| The Amazing Adventures of Kavalier & Clay | 
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Avg. Customer Rating:   (based on 598 reviews)
Sales Rank: 1405
Category: Book
Author: Michael Chabon
Publisher: Picador
Studio: Picador
Manufacturer: Picador
Label: Picador
Languages: English (Original Language), English (Unknown), English (Published)
Media: Paperback
Number Of Items: 1
Pages: 656
Shipping Weight (lbs): 1.1
Dimensions (in): 8.2 x 5.5 x 1.3
ISBN: 0312282990
Dewey Decimal Number: 813.54
EAN: 9780312282998
ASIN: 0312282990
Publication Date: August 25, 2001
Availability: Usually ships in 1-2 business days
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Product Description
Winner of the Bay Area Book Reviewers' Award, New York Library Book Award Finalist for the National Book Critics Circle Award, PEN/Faulkner Award, Los Angeles Times Book AwardJoe Kavalier, a young Jewish artist who has also been trained in the art of Houdiniesque escape, has just smuggled himself out of Nazi-invaded Prague and landed in New York City.His Brooklyn cousin Sammy Clay is looking for a partner to create heroes, stories, and art for the latest novelty to hit America - the comic book.Drawing on their own fears and dreams, Kavalier and Clay create the Escapist, the Monitor, and Luna Moth, inspired by the beautiful Rosa Saks, who will become linked by powerful ties to both men.With exhilarating style and grace, Michael Chabon tells an unforgettable story about American romance and possibility.
Amazon.com Review
Like the comic books that animate and inspire it, The Amazing Adventures of Kavalier & Clay is both larger than life and of it too. Complete with golems and magic and miraculous escapes and evil nemeses and even hand-to-hand Antarctic battle, it pursues the most important questions of love and war, dreams and art, across pages brimming with longing and hope. Samuel Klayman--self-described little man, city boy, and Jew--first meets Josef Kavalier when his mother shoves him aside in his own bed, telling him to make room for their cousin, a refugee from Nazi-occupied Prague. It's the beginning, however unlikely, of a beautiful friendship. In short order, Sam's talent for pulp plotting meets Joe's faultless, academy-trained line, and a comic-book superhero is born. A sort of lantern-jawed equalizer clad in dark blue long underwear, the Escapist "roams the globe, performing amazing feats and coming to the aid of those who languish in tyranny's chains!" Before they know it, Kavalier and Clay (as Sam Klayman has come to be known) find themselves at the epicenter of comics' golden age. But Joe Kavalier is driven by motives far more complex than your average hack. In fact, his first act as a comic-book artist is to deal Hitler a very literal blow. (The cover of the first issue shows the Escapist delivering "an immortal haymaker" onto the Fuehrer's realistically bloody jaw.) In subsequent years, the Escapist and his superhero allies take on the evil Iron Chain and their leader Attila Haxoff--their battles drawn with an intensity that grows more disturbing as Joe's efforts to rescue his family fail. He's fighting their war with brush and ink, Joe thinks, and the idea sustains him long enough to meet the beautiful Rosa Saks, a surrealist artist and surprisingly retrograde muse. But when even that fiction fails him, Joe performs an escape of his own, leaving Rosa and Sammy to pick up the pieces in some increasingly wrong-headed ways. More amazing adventures follow--but reader, why spoil the fun? Suffice to say, Michael Chabon writes novels like the Escapist busts locks. Previous books such as The Mysteries of Pittsburgh and Wonder Boys have prose of equal shimmer and wit, and yet here he seems to have finally found a canvas big enough for his gifts. The whole enterprise seems animated by love: for his alternately deluded, damaged, and painfully sincere characters; for the quirks and curious innocence of tough-talking wartime New York; and, above all, for comics themselves, "the inspirations and lucubrations of five hundred aging boys dreaming as hard as they could." Far from negating such pleasures, the Holocaust's presence in the novel only makes them more pressing. Art, if not capable of actually fighting evil, can at least offer a gesture of defiance and hope--a way out, in other words, of a world gone completely mad. Comic-book critics, Joe notices, dwell on "the pernicious effect, on young minds, of satisfying the desire to escape. As if there could be any more noble or necessary service in life." Indeed. --Mary Park
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| Customer Reviews: Read 593 more reviews...
 The story of two unique individuals and a uniquely American art form December 23, 2008
Joe Kavalier, a Jewish refugee, and his cousin Sam Klayman, a New York teen angling to make a buck, get into the comic book business by creating the Escapist, a superhero whose popularity eventually rivals Superman's. This early triumph starts them on a long, twisting road of success, failure, and self-discovery spanning a dozen years and three continents.
Comic books are sometimes described as the American mythology, and Michael Chabon, who clearly believes that to be the case, makes a compelling case for it in his entertaining and moving narrative. As he tells it, the superhero has its roots in the Jewish refugee experience. Fired by a sense of alienation and persecution and given form by Jewish folklore such as the tale of the Golem, comic book writers and artists consisted of genuine talents as well as forgettable hacks, all of them "dreaming as hard as they can," to use Chabon's memorable phrase, in an attempt to fill pages and capture the attention of the American public. The result is a vast body of work that unselfconsciously gives allegorical form to American concerns, dreams, and self-delusions, and, in Chabon's hands, it also provides a poignant counterpoint to the arcs of his richly detailed characters. This great novel not only tells a moving story, but it also teaches us about a part of the American experience that has often been overlooked.
Fun (Historical) Adventure! December 22, 2008
Wow, it was a great read. This was a hard one to put down for any length of time. Around every corner a wonderful (and historically correct) adventure. Fascinating read!
Chabon vents his issues November 1, 2008
1 out of 1 found this review helpful
Reading this book is sort of analogous to having a days-long therapy session; this is something I see as both a strength and a weakness. I don't think many people would deny Chabon's strength as a storyteller, but, like Quentin Tarantino's movies, his single-minded obsessions often come out as stronger than the characters would have realistically experienced them. Chabon is pretty good at hiding this sort of writing-as-katharsis impulse, but there are a few points in the book where you're reading about comic books, Jewish oppression, and homosexuals, and wondering if this is a book or a confessional.
As a story about two Jewish cousins who write comics, one of them a homosexual, this is a concern that runs through the length of the novel, even if the concern is a minor one.
I sometimes find myself swayed by the power of final pages and final sentences, and this book really delivered what I wanted. Satisfying, not entirely happy, not expected; strength at the same time as surrender. Chabon seems to understand the art of making near-heroes out of characters at one time both extraordinary and self-destructively passive.
Great Fiction October 16, 2008
Fabulous example of what fictions does best. Reading this intelligent, highly creative novel will introduce you to a cast of characters you would never have the pleasure of meeting in "real" life and take you to times and places you couldn't otherwise experience. The humor, sincerity, and inventiveness of Chabon's writing will capture your imagination from the early pages and sustain you throughout. Even at over 600 pages, you'll be sad to say goodbye.
The Most Super of All Powers September 19, 2008
A beautiful book about Sammy and Joe, two cousins who end up writing and drawing comic books together, the Amazing Adventures of Kavalier and Clay is a staggering tale of dedication, commitment, human frailty, perseverance, loyalty, and the many faces of the most powerful of all super powers, love. it shows the power of the love and appreciation of art, the power of family, the power of ethnicity, and the power of dreams. There is a riff early in Kavalier and Clay in which Sammy throws out ideas for heroes that is a hilarious send-up of super powers. Chabon knows that Sammy knows from the beginning that he has the power of his dreams, the power of his loyalty, and ultimately the power of love that will carry him through adversity to find happiness. Joe on the other hand must face the unimaginably grim reality of leaving everyone he loves behind to face the Nazi horrors. There is never a mystery about what Joe's loved ones face, and we feel along with him the guilt of his finding new people to love in the America of the mid-20th Century, a place of amazing opportunity and amazing charlatans. Chabon destroys the idea of nostalgia by exposing some societal norms that border on the Nazism that the characters set out to fight, each in his own way. The book is set in a particular time and Chabon does not glamorize that time, just portrays it honestly.
Normally I view the Pulitzer Prize as an enormous badge of mediocrity. Look how many books chosen for it have fallen from fashion, never to darken the door of literature beyond their meager days in the sun. Yet with Kavalier and Clay the pretentious puffer fish of the Pulitzer Prize committee plucked a plum. This novel will stand because of Chabon's marvelous wordcraft, and the most super of all powers.
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