| The Sixteen Pleasures: A Novel | 
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Avg. Customer Rating:   (based on 71 reviews) Sales Rank: 156758 Category: Book
Author: Robert Hellenga Publisher: Delta Studio: Delta Manufacturer: Delta Label: Delta Languages: English (Original Language), English (Unknown), English (Published) Media: Paperback Edition: 1 Number Of Items: 1 Pages: 384 Shipping Weight (lbs): 0.4 Dimensions (in): 6.9 x 5.2 x 0.9
ISBN: 0385314698 Dewey Decimal Number: 813.54 EAN: 9780385314695 ASIN: 0385314698
Publication Date: May 1, 1995 Release Date: May 1, 1995 Availability: Usually ships in 1-2 business days
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Product Description "I was twenty-nine years old when the Arno flooded its banks on Friday 4 November 1966. On Tuesday I decided to go to Italy, to offer my services as a humble book conservator, to save whatever could be saved, including myself."
The Italians called them "Mud Angels," the young foreigners who came to Florence in 1966 to save the city's treasured art from the Arno's flooded banks. American volunteer Margot Harrington was one of them, finding her niche in the waterlogged library of a Carmelite convent. For within its walls she discovered a priceless Renaissance masterwork: a sensuous volume of sixteen erotic poems and drawings.
Inspired to sample each of the ineffable sixteen pleasures, Margot embarks on the intrigue of a lifetime with a forbidden lover and the contraband volume--a sensual, life-altering journey of loss and rebirth in this exquisite novel of spiritual longing and earthly desire.
Amazon.com Review In 1966, 29-year-old Margot Harrington heads off to Florence, intent on doing her bit to protect its precious books from the great floods--and equally intent on adventure. Serendipity, in the shape of the man she'll fall in love with, leads her to an abbey run by the most knowing of abbesses and work on its library begins. One day a nun comes upon a shockingly pornographic volume, bound with a prayer book. It turns out to be Aretino's lost erotic sonnets, accompanied by some rather anatomical engravings. Since the pope had ordered all copies of the Sixteen Pleasures burned, it could be worth a fortune and keep the convent autonomous. The abbess asks Margot to take care of the book and check into its worth: "We have to be cunning as serpents and innocent as doves," she warns. Soon our heroine finds her identity increasingly "tangled up" with the volume and with Dottor Postiglione, a man with an instinct for happiness--but also one for self-preservation. Margot enjoys the secrecy and the craft (the chapters in which she rebinds the folios are among the book's finest). Much of the book's pleasure stems from Robert Hellenga's easy knowledge, which extends to Italian complexities. Where else would you learn that, in cases of impotence, legal depositions are insufficient: "Modern couples often take the precaution of sending postcards to each other from the time of their engagement, leaving the message space blank so that it can be filled in later if the couple wishes to establish grounds for an annulment." Luckily, however, there are also shops that sell old postcards, "along with the appropriate writing instruments and inks." Though The Sixteen Pleasures is initially in the tradition of American innocent goes abroad to encounter European experience, Hellenga's depth (and lightness) of characterization and description lift it high above its genre. And what better book than one about loving and loving books?
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| Customer Reviews: Read 66 more reviews...
  A harmless distraction November 13, 2008 As The Sixteen Pleasures opens, Margot Harrington is sharing a train compartment with a pair of American divorcees. She's headed for Italy to assist in a massive restoration effort; they've embarked on a European vacation to gather "material" in support of their literary aspirations. We're treated to a glimpse of their creative process in action:
- "Did you get the man with the pipe?" - "Got him." - "The sheep?" - "What sheep? I didn't see any sheep." - "Hah! How about the announcement on the PA system? Did you get that?" - "Pardonnay something-or-other, that's all I got. How about you?"
The conversation then shifts to reflect on their workshop instructor's sexual appetite (they've both appeared on the menu), and eventually they share the prosaic yet deeply personal childhood memories around which they hope to craft meaningful stories. We're invited to smile condescendingly at the bourgeois naivete that leads them to mistake accuracy for truth, knowing that their earnest attention to detail will not by itself imbue the mundane with a sense of artistic profundity.
Unfortunately, the author doesn't seem to have taken his own object lesson to heart. The Sixteen Pleasures is a light coming-of-age of story in which the 29-year old narrator rediscovers and redefines herself through her adventures abroad. It's Fear of Flying, but filtered through the soft-focus lens of Eat, Pray, Love. Interesting and detailed nuggets of information pop up almost every other page: methods of manual book-binding, the chemistry of 15th century frescoes, and foibles of marital politics in modern Italy are all stitched together to provide a lovely backdrop for the narrator's journey of self-discovery.
As pleasant as this backdrop is, there's very little to care about in the foreground. Margot falls in love, suffers heartbreak, heals, achieves a professional success and makes peace with her past... none of which is particularly dramatic. Margot is borne through these events by a gentle, twisting current of narrative. We bob along with her, observing everything that happens with an idle curiosity, but never any sense of tension or concern. In the end, the ride is unremarkable.
If Margot were real, it's easy to see how this story would be a compelling one, for her - it's her life, after all. But the author's challenge is to craft a story that feels both true and immediately meaningful for us. Like the ladies on the train, Hellenga succeeds in faithfully imparting what happens without convincing us that we should really concern ourselves with why it happens at all.
  It's worth the trouble October 24, 2008 It had been a while since I read this, but am clearing my shelves for new books. I remeber liking it a great deal- but of course Florence is one of my favorite places on earth, and a wonderful place to be in love. In another copy of this that I had on my shelf, a previous reader had marked this passage (typos are my own;-)) "Which of us doesn't have a similar ghostly double wandering around somewhere out there in the big wide world? A self from whom we parted company long ago, at some unlikely crossroads? But do we ever encounter these ghostly selves? Do our worlds ever intersect? I can't believe it. The one is too impermeable, the other too fine, too subtle."
I also may never hear the phrase "Non vale la pena" ( It's not worth the trouble")again without chuckling and thinking of Margot's " Non vale il pene".
  A swift read, with a few problems September 8, 2008 I just finished The Sixteen Pleasures, and for the most part I liked it. It moved quickly, gave beautiful descriptions of Italy and the art, and was generally an easy read. There are a few reasons why I won't give it more than three stars: 1) I found the character of the Heroin, Margot, to be extremely annoying. She was arrogant, lamenting the fact that she never went to Harvard as she should have. She was also cold emotionally. I just never really liked her and for that reason I couldn't relate to her. 2) The above complaint is due to the fact that the author is obviously a man writing a woman's character. I do agree with other posters that he presents a rather sexist view of a "progressive" woman. 3) What's with the point of view constantly changing?!?! First it's from Margot's perspective, then Sandro's, then a third person narrative. It really annoyed me. Overall, I would still recommend this book. As someone who has both lived in Italy and studies art professionally, I can attest to the high quality of the author's descriptions of both. It's a good vacation/lazy weekend book.
  No matter hard they try, men can not write from a woman's perspective August 8, 2008 3 out of 4 found this review helpful
I tried, really I tried! I trusted that a National best seller would provide an interesting distraction, but after pushing myself through the first 75 pages, I just gave up! It could have amazing redeeming qualities, but I just couldn't engage in the writers style.
  Learn a Little, Love a Little September 2, 2006 1 out of 1 found this review helpful
A fine read with well-drawn characters, touches of accademia and eroticism--all set in one of the world's more charming cities.
Poignant and well written. I appreciated learning a bit, even fictionalized, about the 1966 flood of the Arno River, which destroyed many books and works of art.
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